All Link to PDFs
︎︎︎ Waste Scenes: Like Drivel and Like Sawdust, RAIR Philly, January 2025
︎︎︎ Spiral Time Exhibition Essay, Smack Mellon, June 2024
︎︎︎ Behind the Cloud Exhibition Essay, co-authored with Marissa Del Toro, The Latinx Project, February 2023
︎︎︎ Love Letter to Ana Mendieta, The Latinx Project, December 2022
︎︎︎ The Death of an Artist Podcast Failed Ana Mendieta, co-authored with Néstor David Pastor, Hyperallergic, December 2022
︎︎︎ Cayendo de árboles / Falling From Trees: Chaos in the Work of Cristina Tufiño, Precog Magazine, Volume 7, Print, Fall 2022
︎︎︎ Hong Hong and Darryl DeAngelo Terrell: In Collaboration with the Sun, NXTHVN Yearbook 03, Print, Summer 2022
︎︎︎ Anthropocentric Fossils: On Christine Egaña Navin’s Circling the Square, The Latinx Project, March 2022
︎︎︎ Werehyena, Creative Direction Kemal Yjlmaz, Sicky Magazine, March 2022
︎︎︎ Shellyne Rodriguez and Danielle De Jesus: Siempre en la calle [Review], The Latinx Project, December 2021
︎︎︎ Tiempo de Zafra on excess and things that could always be more, Precog Magazine, Issue 6, Print, Fall 2021
︎︎︎ [SPA] Soberanía visual indígena: por todas las memorias que aún han sido grabadas, con Lorena Cruz Santiago, Terremoto Magazine, Issue 21, Print, August 2021
︎︎︎ [ENG] Indigenous Visual Sovereignty: For All the Images Yet To Be Recorded, co-authored with Lorena Cruz Santiago, Terremoto Magazine, Issue 21, Print, August 2021
︎︎︎ Archival Irreverence, in Lizania Cruz: Gathering Evidence: Santo Domingo & New York City, exh. cat., published by CUE Art Foundation, Print, July 2021
︎︎︎ Perhaps a Fragment is All We Have: On Stephanie Acosta’s Good Day God Damn, The Latinx Project, July 2021
︎︎︎ [SPA] Artistas dominicanos manifiestan la liberación en el Centro León: Reseña, The Latinx Project, March 2021
︎︎︎ [ENG] Dominican Artists Model Liberation at Centro León: Review, The Latinx Project, March 2021
︎︎︎ Symbiotically Aligned: Disease and Healing in Guadalupe Maravilla’s Performances, The Latinx Project, May 2020
︎︎︎ Phenomena of Dispersion in Teresa Margolles’ En el aire, Precog Magazine, Issue 5, Print, February 2020
︎︎︎ The Most Influential Latin American Artists of the 20th Century, Artsy, November 18, 2019
︎︎︎ Chronology in Teresa Burga, published by Alexander Gray Associates, Print, September 2019
︎︎︎ Interview with Ricardo Brey, Ricardo Brey: Doble Existencia / Double Existence, published by Alexander Gray Associates, Print, February 2019
︎︎︎ Introduction in Morir Soñando, exh. cat., August 2018, designed by Immanuel Yang
︎︎︎ Artists as Laborers, Brooklyn Rail Critic’s Page, October 5, 2017
︎︎︎ Not in the Fast-Lane: Anthony Hernandez’s Photography, Eye-Level, Smithsonian American Art Museum, 2017
︎︎︎ Waste Scenes: Like Drivel and Like Sawdust, RAIR Philly, January 2025
︎︎︎ Spiral Time Exhibition Essay, Smack Mellon, June 2024
︎︎︎ Behind the Cloud Exhibition Essay, co-authored with Marissa Del Toro, The Latinx Project, February 2023
︎︎︎ Love Letter to Ana Mendieta, The Latinx Project, December 2022
︎︎︎ The Death of an Artist Podcast Failed Ana Mendieta, co-authored with Néstor David Pastor, Hyperallergic, December 2022
︎︎︎ Cayendo de árboles / Falling From Trees: Chaos in the Work of Cristina Tufiño, Precog Magazine, Volume 7, Print, Fall 2022
︎︎︎ Hong Hong and Darryl DeAngelo Terrell: In Collaboration with the Sun, NXTHVN Yearbook 03, Print, Summer 2022
︎︎︎ Anthropocentric Fossils: On Christine Egaña Navin’s Circling the Square, The Latinx Project, March 2022
︎︎︎ Werehyena, Creative Direction Kemal Yjlmaz, Sicky Magazine, March 2022
︎︎︎ Shellyne Rodriguez and Danielle De Jesus: Siempre en la calle [Review], The Latinx Project, December 2021
︎︎︎ Tiempo de Zafra on excess and things that could always be more, Precog Magazine, Issue 6, Print, Fall 2021
︎︎︎ [SPA] Soberanía visual indígena: por todas las memorias que aún han sido grabadas, con Lorena Cruz Santiago, Terremoto Magazine, Issue 21, Print, August 2021
︎︎︎ [ENG] Indigenous Visual Sovereignty: For All the Images Yet To Be Recorded, co-authored with Lorena Cruz Santiago, Terremoto Magazine, Issue 21, Print, August 2021
︎︎︎ Archival Irreverence, in Lizania Cruz: Gathering Evidence: Santo Domingo & New York City, exh. cat., published by CUE Art Foundation, Print, July 2021
︎︎︎ Perhaps a Fragment is All We Have: On Stephanie Acosta’s Good Day God Damn, The Latinx Project, July 2021
︎︎︎ [SPA] Artistas dominicanos manifiestan la liberación en el Centro León: Reseña, The Latinx Project, March 2021
︎︎︎ [ENG] Dominican Artists Model Liberation at Centro León: Review, The Latinx Project, March 2021
︎︎︎ Symbiotically Aligned: Disease and Healing in Guadalupe Maravilla’s Performances, The Latinx Project, May 2020
︎︎︎ Phenomena of Dispersion in Teresa Margolles’ En el aire, Precog Magazine, Issue 5, Print, February 2020
︎︎︎ The Most Influential Latin American Artists of the 20th Century, Artsy, November 18, 2019
︎︎︎ Chronology in Teresa Burga, published by Alexander Gray Associates, Print, September 2019
︎︎︎ Interview with Ricardo Brey, Ricardo Brey: Doble Existencia / Double Existence, published by Alexander Gray Associates, Print, February 2019
︎︎︎ Introduction in Morir Soñando, exh. cat., August 2018, designed by Immanuel Yang
︎︎︎ Artists as Laborers, Brooklyn Rail Critic’s Page, October 5, 2017
︎︎︎ Not in the Fast-Lane: Anthony Hernandez’s Photography, Eye-Level, Smithsonian American Art Museum, 2017